P. introduction p. 28; also V. Raghavan, Śr. The first chapter of the Nāṭyaśāstra gives a semi-historical and mostly fictional account of the creation of the work. And [musical] notes such as, Ṣaḍja, Ṛṣabha etc. It was meant as a practical manual for production of successful theatrical performances, which included music and dance as well as acting. (164) defines sattva as follows: “sattvaṃ nāma sātmaviśrāmaprakrāśakaro kaścanāntaro dharmaḥ”. Natya refers to technique of dance and drama, and shastra refers to science. The Heroic Sentiment is likewise of three kinds, viz. Just as by many articles of various kinds, auxiliary cooked eatable (vyañjana)[25] is brought forth, so the Psychological States along with different kinds of Histrionic Representation will cause the Sentiments to be felt. Viśvanātha in his SD. And the Comic and the Terrible Sentiments are likewise of three kinds, viz, of limbs, dress and words. [The Erotic Sentiment] in separation should be represented on the stage by Consequents such as, indifference, langour, fear, jealousy, fatigue anxiety, yearning, drowsiness, sleep, dreaming, awakening, illness, insanity, epilepsy, inactivity, fainting, death and other conditions. uttered) briefly in a Sūtra with a minimum (lit. This Comic Sentiment is of two kinds: self-centred and centred in others; and it relates to the three types of persons: superior, middling and inferior, and has thus [on the whole] six varieties. It was written during the period between 200 BCE and 200 CE in classical India and is traditionally attributed to the Sage Bharata. The term Shastra (śāstra) denotes a specific category of literature and the word Natya (nāṭya) roughly translates to drama, theater, performing arts, etc. And the Sentiment called Erotic is generally happy, connected with desired objects, enjoyment of seasons, garlands and similar other things, and it relates to [the union of] man and woman. 59. Bharathanatyam is the classical Indian dance that adhere to Natya Shastra of 400 B.C. Consider supporting this website. Here ends Chapter VI of Bharata’s Nāṭyaśāstra, which treats of Sentiments. Manomohan Ghosh (Transl) (1951). For details about vṛttis see XXII. 1. [But in case of Rākṣasas] it is to be understood as their special function. As Prof. Adya Rangacharya stated in… The thirty-three Complementary Psychological States (vyabhicāribhāva)[9] are known to be the following: discouragement, weakness, apprehension, envy, intoxication, weariness, indolence, depression, anxiety, distraction, recollection, contentment, shame, inconstancy, joy, agitation, stupor, arrogance, despair, impatience, sleep, epilepsy, dreaming, awakening, indignation, dissimulation, cruelty, assurance, sickness, insanity, death, fright and deliberation. The Natya Shastra (Sanskrit: ????? Traditionally assigned to Bharata Muni, a legendary sage, Natya Shastra is one among the famous trio of India, the other two being Kautalya’s Artha Shastra and Vatsyayana’s Kama Shastra. 50. sāttvika-bhāva—The word sāttvika cannot be properly translated into English. So the author of the ND. the Sāṃkbyakārikā. I. pp. The title is a combination of two Sanskrit words – Natya and Shastra. become Sentiment). Two by two they belong respectively to the superior, the middling and the inferior types [of persons]. Just as persons are named, after the profession of their father, mother or family in accordance with the traditional authority, so the Sentiments, the Psychological States and other objects connected with drama are given names in pursuance of the practice and the traditional authority. theatrical). Now one enquires, “Is it to be assumed from the [above] statement about Rākṣasas that they only give rise to the Furious Sentiment, and that this Sentiment does not relate to others?,” [Reply]. It is to be represented on the stage by Consequents, such as wide opening of eyes, looking with fixed gaze, horripilation, tears [of joy], perspiration, joy, uttering words of approbation, making gifts, crying incessantly hā, hā, hā, waving the end of dhoti or sārī, and movement of fingers and the like. Basically, the Natyashastra documents the history behind the development of the arts in India; it is a theater and dance treatise of. Book: Natya Shastra (with English Translations) Author: Bharat Muni Translator: Manomohan Ghosh M.A., Ph.D. celestial and joyous. Now the Furious (raudra) Sentiment has as its basis the Durable Psychological State of anger. 66. 57. Haas translates vṛttis as Styles of Procedure (DR. p. 67). Thus is explained [the Memorial Verse ending with] tasmān nāṭyarasā iti. 40-41. Pr, 27. It is created by Determinants like hearing of unpleasant, offensive, impure and harmful things or seeing them or discussing them. The Chaukhamba edition contains 36 chapters while Kavyamala edition contains 37 chapters. CHAPTER ONE: Bhava Vibhava and Anubhava, The Concept of ... ˘Anu ˇ is a Sanskrit word and in this context, it means ˝in reaction Bharata Natya Sastra is also flexible and has ample scope for the 1/11 24 creative (see VII 93), and most of the later writers follow this work in this respect. And the Verbal (bhāratī), the Grand (sāttvatī), the Graceful (kaiśikī) and the Energetic (ārabhaṭī) are the four Styles.[16]. Hence these Durable Psychological States in a drama are called Sentiments.[24]. According to Indian practice, boiled rice is the principle food (anna), and the various preparations from vegetables, meat and fish are only auxiliary eatables (vyañjana). The Odious Sentiment is of three kind, viz, nauseating, simple, and exciting. This Terrible Sentiment should be always represented by tremor of hands and feet, paralysis, shaking of the body, palpitation of the heart, dryness of the lips, the mouth, the palate and the throat. 5-7. Poetics, Vol. We shall now enumerate the Durable Psychological States in different Sentiments. This is to be represented on the stage by means of Consequents, such as red eyes, knitting of eyebrows, defiance, biting of the lips, movement of the cheeks, pressing one hand with the other, and the like. Shop for a variety of Books On Natyasastra. vācika—means words suitable for representation of the different States (bhāva) composed by the playwright. Complementary Psychological States in it are weeping, paralysis, perspiration choking voice, horripilation, agitation, hurry, inactivity, death and the like. 1 The Marvellous (adbhuta) Sentiment has as its basis the Durable Psychological State of astonishment. This is [the character of] natural fear; the artificially shown fear also should be represented by these conditions. 4. S. K. De, Skt Poetics, Vol. Basically, the Natyashastra documents the history behind the development of the arts in India; it is a theater and dance treatise of —Polly Berrien Berends (20th century) “ Weigh what loss your honor may sustain If with too credent ear you list his songs, Or lose your heart, or your chaste treasure open To his unmastered importunity. In that connexion I shall first of all explain the Sentiments (rasa). 2003 mitsubishi outlander repair ... chapter 1 the history of organizational theory and behavior, guardians of the galaxy Page 6/9. Of these two, the Erotic Sentiment in union arises from Determinants like the pleasures of the season, the enjoyment of garlands, unguents, ornaments, [the company of] beloved persons, objects [of senses], splendid mansions, going to a garden, and enjoying [oneself] there, seeing [the beloved one], hearing [his or her words], playing and dallying [with him or her]. feelings) so called, and what do they bhāvayanti (make us feel)?. But this is not so. This exceptional art form can be aptly described as a poetry in motion and combines Bhava (acting), Raga (melody) and Tala(rhythm). It is to be represented on the stage by Consequents, such as stopping movement of all the limbs, narrowing down of the mouth, vomitting, spitting, shaking the limbs [in disgust] and the like. For example, one who is elegantly dressed is called a lovely person (śṛṅgārin). The word natyashastra also refers to a global category of literature encompassing this ancient Indian tradition of dramatic performance. Bharatanatyam derived its name from the perfect combination of its expressions as well as from sage Bharata Muni and his Natya Shastra. Of these, the Erotic (śṛṅgāra) Sentiment proceeds from the Durable Psychological State of love (rati), and it has as its basis (lit. The Natya Shastra is incredibly wide in its scope. Its actions are beating, breaking, crushing, fighting, drawing of blood, and similar other deeds. 68. Songs which relate to Dhruvās are of five kinds:[21] entering (praveśa), casual (ākṣepa), going out (niskrama), pleasing (prāsādika) and intermediate (āntara). Hence the Pathetic Sentiment, and the Erotic Sentiment in separation differ from each other. Natya-Shastra is a detailed compendium of technical instructions about the performing arts. Basically, the Natyashastra documents the history behind the development of the arts in India; it is a theater and dance treatise of national importance. 1 stops at chapter 27 and contains only a preliminary version of chapters 34, 35 and 36. 10. As this makes [other] persons laugh by means of his uncouth behaviour, words, movement of the limbs and strange dress, it is known as the Comic Sentiment. This is to be represented on the stage by a gesture of feeling [sweet] smell, joyful shaking of limbs, and uttering hā, hā, hā sounds, speaking words of approbation, tremor, choking voice, perspiration and the like. But in case of the feigned fear all efforts for its representation should be milder. The Marvellous Sentiment is that which arises from words, character, deed and personal beauty. in his Sr. Pr. On these points there are two traditional Āryās: 69. Of these the celestial is due to seeing heavenly sights, and the joys due to joyful happenings. 4 0 obj
64. 36-56. siddhi (success)—For details about the Success see XXVII. (III. The Erotic Sentiment is of three kinds, viz, of words, dress and action. Now the Odious (bībhatsa) Sentiment has as its basis the Durable Psychological State of disgust. download 1 file . www.odia.org natya06_odia.doc 1|24 .. Natya Shastra Chapter 6.. .. ନାଟ୍ୟଶାସ୍ତ୍ରମ୍୍ଅଧ୍ୟାୟ୍Ĵ .. lff. The four Styles are translated by him as Eloquent (bhāratī), Grandiose (sāttvatī), Gay (kaiśikī) and Horrific (ārabhaṭī). nowhere explains the terms niṣpatti and saṃyoga of this definition and does not include the sthāyibhāva in it (the def.). Terror is characterized by looseness of the limbs, the mouth and the eyes, paralysis of the thighs, looking around with uneasiness, dryness of the drooping mouth, palpitation of the heart and horripilation. It owes its origin to men and women and relates to the fulness of youth. Later writers on Skt, poetics add one more rasa (śānta) to this number. I shall now speak of the Durable and the Complementary Psychological States and the Sāttvika ones[7]. Authorities on ars amatoria (vaiśikaśāstra) have mentioned ten conditions [of the persons separated from their beloved ones, which are pathetic]. 1 0 obj
sāttvika-bhāva—The word sāttvika cannot be properly translated into English. Keith does not make any such attempt (see Skt. It owes its origin to to Rākṣasas, Dānavas and haughty men, and is caused by fights. The authorship of this work dates back to as far as at least the 1st millenn... 1-3. Now the Pathetic (karuṇa) Sentiment arises from the Durable Psychological State of sorrow. “No, in case of others too, this Sentiment may arise. And the playhouse is of three types: oblong, square and triangular. These are defined by their names. Famous quotes containing the words list of, list and/or chapters: “ My list of things I never pictured myself saying when I pictured myself as a parent has grown over the years. 76. The Comic [Sentiment] arises from the Erotic, the Pathetic from the Furious, the Marvellous from the Heroic, and the Terrible from the Odious. takes sattva to be connected with manas. This (the Comic Sentiment) is to be represented on the stage by Consequents like the throbbing of the lips, the nose and the cheek, opening the eyes wide or contracting them, perspiration, colour of the face, and taking hold of the sides. 81. The musical instruments are of four kinds: stringed (tata) covered (avanaddha), solid (ghana), and hollow (suṣira). Erotic, Furious, Heroic and Odious.[26]. 24. Complimentary Psychological States in it do not include fear, indolence, cruelty and disgust. This is how Bharata narrates it thus: On this point there are two traditional Āryās: 75. endobj
p. 26). TORRENT download. that arising from making gifts, from fulfilling one’s duty (dharma) and from fighting [one’s enemy]. [In reply] it is said that just as well-disposed persons while eating food cooked with many kinds of spice, enjoy (āsvādayanti) its tastes, and attain pleasure and satisfaction, so the cultured people taste the Durable Psychological States while they see them represented by an expression of the various Psychological States with Words, Gestures and the Sattva, and derive pleasure and satisfaction. Aitareya; Kaushitaki; Sama vedic. ?stra) is an ancient Indian treatise on the performing arts, encompassing theatre, dance and music. bharat muni natya shastra pdf Posted on August 15, 2019 by admin Traditionally assigned to Bharata, a legendary sage, Natya Shastra is one among the famous trio of … The Sanskrit text Natya shastra presents the rasa theory in Chapter 6, a text attributed to Bharata Muni. And as it is not possible to treat exhaustively (lit. Shri Ram Sharma Hindi PDF Book – Spiritual (Adhyatmik) admin on शूद्रों की खोज : डॉ० बी० आर० अम्बेडकर द्वारा हिंदी पीडीऍफ़ पुस्तक – ग्रन्थ | Shudron Ki Khoj : by Dr. B. R. Ambedkar Hindi PDF Book – Granth The English translation of the Natyashastra, a Sanskrit work on drama, performing arts, theater, dance, music and various other topics. Viṣṇu is the god of the Erotic, Pramathas of the Comic, Rudra of the Furious, Yama of the Pathetic, Mahākāla (Śiva) of the Odious, Kāla of the Terrible, Indra of the Heroic, and Brahmā of the Marvellous Sentiments. 44-45. Natya Shastra is the first text that mentions rasa, amplifying it in all senses by describing sthayi bhavas (basis of expression), sancharis (elaboration of expression), dividing the rasas as ashta rasas, colours depicting the rasas and respective devatas of each rasa. This online edition contains the full English translation of the Natyashastra including additional notes, proofread and free to read. Among these, the ‘stringed’ means an instrument with strings, the ‘covered’ means a drum, the ‘solid’ a cymbal and the ‘hollow’ a flute. This is created by Determinants like hideous noise, sight of ghosts, panic and anxiety due to [untimely cry of] jackals and owls,[30] staying in an empty house or forest, sight of death or captivity of dear ones, or news of it, or discussion about it. The Pathetic Sentiment arises from seeing the death of a beloved person, or from hearing something very unpleasant, and these are its Determinants. 38. bhāva—A.B. Drama, p. 319, A. K. Coomaraswamy and others translate it as “mood” (loc. <>
It is apparent that the Sentiments arise from the Psychological States and not the Psychological States from the Sentiments. stream
These are eight Sentiments and their definitions, I shall hereafter speak of the characteristics of the Psychological States. 53. (see VII 93), and most of the later writers follow this work in this respect. 7). Keith does not make any such attempt (see Skt. Drama) Haas translates the sāttvika-bhāva as ‘Involuntary States.’ But this seems to be very misleading, for the NŚ. 13-14). 18-21. elaborately defines the term sattva and discusses the psychological process connected with its use; see (pp. 56. 79. 71. determinatin of purpose, indignation, remembrance, horripilation and the like. Bhoja criticises this view of the author of the NŚ. This is created by Determinants such as, showing unseemly dress or ornament, impudence, greediness, quarrel, defective limb, use of irrelevant words, mentioning of different faults, and similar other things. has also a definition of sattva which is as follows: “dehātmakaṃ bhavet sattvam” (XXIV. This is created by Determinants, such as anger, rape, abuse, insult, untrue allegation, exorcizing, threatening, revengefulness, jealousy and the like. Even in their love-making they are violent. They are naturally furious, for they have many arms, many mouths, standing and unkempt hairs of brown colour, and prodigious physical frame of black complexion. Bharata mentions eight rasas and Shanta rasa was included at later stages. It is more than 2,500 years old. The text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts. The Excessive Laughter (atihasita) is that in which the eyes are expanded and tearful sound is loud and excessive, and the sides are covered by Hands. 16. The Gentle Laughter (vihasita) should have slight sound, and sweetness, and should be suitable to the occasion, and in it eyes and cheeks should be contracted and the face joyful. download 1 file . dharmī—This word has not been very correctly used. When subjects taught in detail have been compressed and brought together in [a number of] Sūtras and their Bhāṣyas (commentary), these constitute according to the learned a Digest. Its Complementary Psychological States are paralysis, perspiration, choking voice, horripilation, trembling, loss of voice, change of colour, fear, stupefaction, dejection, agitation, restlessness, inactivity, fear, epilepsy and death and the like. This is just one of the solutions for you to be successful. These were considered omens of impending calamity. 83. 153) writes “avahitaṃ manaḥ sattvaṃ tat prayojanaṃ heturasyeti sāttvikaḥ; mano'navadhāne hi na śakyante eva svarabhedādayo nāṭyena darśayitum.”. 82. ... PDF WITH TEXT download. 78. [10], 23. A mimicry of the Erotic [Sentiment] is called the Comic,[27] and the result of the Furious Sentiment is the Pathetic, the result of the Heroic Sentiment is called the Marvellous, and that which is Odious to see, results in the Terrible. BHARATA MUNI NATYA SHASTRA PDF - First Chapter. This is to be represented on the stage by narrowing down the mouth and the eyes, covering the nose, bending down the head and walking imperceptibly. 2 (1961) are included in the web version whereas vol. On the other hand, chapters 28 to 36 from vol. The Marvellous Sentiment is of two kinds, viz. V. Raghavan, Śr. Now the Comic (hāsya) has as its basis the Durable Psychological State of laughter. [28] The Pathetic Sentiment relates to a condition of despair owing to the affliction under a curse, separation from dear ones, loss of wealth, death or captivity, while the Erotic Sentiment based on separation relates to a condition of retaining optimism arising out of yearning and anxiety. No [poetic] meaning proceeds [from speech] without [any kind of] Sentiment. BHARATA MUNI NATYA SHASTRA PDF - First Chapter. For [on this point] there are [traditional] couplets such as: 34-35. Complementary Psychological States in it are epileptic fit, delusion, agitation, fainting, sickness, death and the like. Whatever they attempt, be it their speech, movement of limbs or any other effort, is by nature furious. ?, N??ya? 55. We shall discuss them in the chapter on the Harmonious Histrionic Representation. The NŚ. 25-26. As one laughs with an exhibition of oddly placed ornaments, uncouth behaviour, words and dress and strange movements of limbs, it is called the Comic Sentiment. Asiatic Society of Bengal, Calcutta. 15. The Pathetic Sentiment is of three kinds, viz that arising from obstruction of lawful deeds, from loss of wealth and from bereavement. 17. These are also known as sañcāri-bhāva which was translated as ‘transitory emotion or mood’. 49. Now it has been asked, “If the Erotic Sentiment Has its origin in love, why does it [sometimes] manifest itself through pathetic conditions?” [In reply to this] it is said, “It has been mentioned before that the Erotic Sentiment has its basis in union as well as in separation. Practice of Representation (dharmī)[15] in a dramatic performance is twofold: realistic (lokadharmī, lit. It should be represented on the stage by special acts, such as the release of many missiles, cutting off the head, the trunk and the arms. After hearing about the rules regarding the Preliminaries, the great sages continued their inquiries and said to Bharata, “Answer five of our questions. They are: Slight Smile (smita), Smile (hasita), Gentle Laughter (vihasita), Laughter of Ridicule (upahasita), Vulgar Laughter (apahasita) and Excessive Laughter (atihasita). When a person himself laughs, it relates to the self-centred (Comic Sentiment), but when he makes others laugh, it (the Comic Sentiments therein) is centred in others. Āvanti, Dākṣinātyā, Oḍramāgadhī and Pañcālamadhyamā are the four Local Usages (pravṛtti)[17] in a dramatic performance. 8. cit.). 63. During the Laughter of Ridicule (upahasita) the nose should be expanded, eyes should be squinting, and the shoulder and the head should be bent. [23] For in this connexion there are two traditional couplets: 32-33. Complementary Psychological States in it are contentment, judgement, pride, agitation, energy (vega). 72. It is to be represented on the stage by Consequents, such as firmness, patience, heroism, charity, diplomacy and the like. meaning) is explained (lit. The Odious Sentiment arises in many ways from disgusting sight, tastes, smell, touch and sound which cause uneasiness. It is to be represented on the stage by Consequents, such as trembling of the hands and the feet, horripilation, change of colour and loss of voice. 2 0 obj
Why? Summary of Bharata Muni's Natyashastra - Riyaz The Sanskrit text Natya shastra presents the rasa theory in Chapter 6, a text attributed to Bharata Muni. Sources of these [eight] Sentiments are the four [original] Sentiments e.g. Acces PDF Natya Shastra In SanskritIf you're looking for a wide variety of books in various categories, check out this site. 11. 36. Chapter 28, discusses the harmonic scale, calling the unit of tonal measurement or audible unit as ruti,[94] with verse 28.21 introducing the musical scale as follows,[95] Musical instrument types mentioned in the Natyashastra (string, flute, drums and cymbals). pravṛtti—Haas translates this word as ‘Local Characteristics,’ (See DR, p. 74). [29] It is to be easily inferred that persons who imitate them give rise to the Furious Sentiment from their fights and battles. 54. We follow Keith’s translation (Skt. These eight are the Sentiments named by Druhiṇa (Brahmā). And this is the reason why the Erotic Sentiment includes conditions available in all other Sentiments. Complimentary Psychological States connected with it are indifference, langour, anxiety, yearning, excitement delusion, fainting, sadness, dejection, illness, inactivity, insanity, epilepsy, fear, indolence, death, paralysis, tremor, change of colour, weeping, loss of voice and the like. It grows from Determinants such as affliction under a curse, separation from dear ones, loss of wealth, death, captivity, flight accidents or any other misfortune. Drama) and Haas as ‘Permanent State’ (DR.) and others as ‘permanent mood’ (e.g. Rig vedic. The Erotic Sentiment arises in connexion with favourable seasons, garlands, ornaments, enjoyment of the company of beloved ones, music and poetry, and going to the garden and roaming there. ???? The Furious Sentiment is created by striking, cutting, mutilation and piercing in fights, and tumult of the battle and the like. 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Traditional couplets: 32-33 practical manual for production of successful theatrical performances which! Can not be properly translated into English 1 the Marvellous ( adbhuta ) Sentiment has as basis... Nowhere explains the terms niṣpatti and saṃyoga of this work in this respect rasas and Shanta rasa was included later. ] it is said in reply [ that, rasa is so ]. Is likewise of three kinds, viz, of words, character, deed and personal beauty called a person... Art attain their [ special ] qualities bhāṣya mentioned here see S. K,,... Sattvam ” ( XXIV edition contains the full English translation of the Psychological process connected its! ] because it is not possible to treat exhaustively ( lit is called lovely... Additional notes, proofread and free to read the Sanskrit text Natya Shastra is incredibly wide in natya shastra chapter 6 pdf scope understood... 2 ( 1961 ) are included in the dramatic performance is of three kind, viz bhavet ”... 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